![]() 229) Tonality (film stock, tinting, exposure, filters) Speed (frame rate, motion, time)ġ0 Cinematography Literally, “writing in movement” dependent on photography, but camera are not absolutely necessary – “the filmmaker is creating patterns of light on celluloid.” (Film Art, P. 229) Tonality (film stock, tinting, exposure, filters)ĩ Cinematography Literally, “writing in movement” dependent on photography, but camera are not absolutely necessary – “the filmmaker is creating patterns of light on celluloid.” (Film Art, P. 229)Ĩ Cinematography Literally, “writing in movement” dependent on photography, but camera are not absolutely necessary – “the filmmaker is creating patterns of light on celluloid.” (Film Art, P. Three-quarter view - the framing of a person at angle to the plane of the image.ħ Cinematography Literally, “writing in movement” dependent on photography, but camera are not absolutely necessary – “the filmmaker is creating patterns of light on celluloid.” (Film Art, P. Side view – the framing of a person from the side. Overhead shot – a shot taken from immediately above the scene.ĥ Full face shot – the framing of a person in frontal view Low angle – a shot in which the camera looks up at a person (or persons) within the image from below a viewpoint relative to their eyeline. High angle – a shot in which the camera looks down on a person (or persons) within the image from above a viewpoint relative to their eyeline. Tight or closed framing – the arrangement of the person (or persons) in the image such that little space is visible between the figure and the edges of the image.Ĥ Canted framing – a slanting of the axis of the camera relative to the horizontal axis of the image, which causes the image itself to appear slanted. Open framing – the arrangement of the person (or persons) in the image such that a wide area of space is visible between the figure and the edges of the frame. Framing - the organization of the contents of the shot with respect to the edges of the screen, designates the boundaries of the image as an anchor for composition.ģ Centered framing – the arrangement of the person (or persons) in the image equidistant from the edges of the image. Developed in opposition to the continuity editing style of Classical Hollywood cinema. 2 Key Terms: Soviet Montage – a form of editing developed by Soviet filmmakers in the 1920s, often discontinuous, which emphasizes the graphic, rhythmic, and conceptual relationship between shots.
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